Initially, the target of the aerial barrage was thought to be an attacking force from Japan, but speaking at a press conference shortly afterward, Secretary of the Navy Frank Knox called the incident a "false alarm." Newspapers of the time published a number of sensational reports and speculations of a cover-up. The incident occurred less than three months after the United States entered World War II as a result of the Japanese Imperial Navy's attack on Pearl Harbor, and one day after the Bombardment of Ellwood on February 23. The Battle of Los Angeles (also referred to as the Great Los Angeles Air Raid) is the name given by contemporary sources to the rumored enemy attack and subsequent anti-aircraft artillery barrage which took place from late February 24 to early Februover Los Angeles, California. You may be looking for the fictional Battle of Los Angeles seen in the film.Ī image captured during the event in 1942 that was later used as a promotional image for the film. Not much more, perhaps, but Evans has two planned sequels to add depth to a franchise that already has more verve than many directors' entire careers.This article is about the real-world UFO sighting in 1942. Compared with this movie, most recent Hollywood actioners might as well have been edited with a cheese grater.Īs for narrative, there's enough to justify the action and provide an emotional payoff that makes The Raid more than a cheap thrill. Made for less than $1 million, The Raid is notable simply for its technical skill and storytelling mastery. The violence may be outlandish, but it's always coherent.
#MOVIES LIKE THE RAID MOVIE#
The action's progress from level to level, and the regular appearance of new menaces, suggest a video game, but the movie doesn't rely on computer-generated images or constant cutting to create a sense of chaos the action is carefully choreographed, and shot with impressive clarity. release, the film has been outfitted with a new electro-rock score - by Joe Trapanese and Linkin Park's Mike Shinoda - that reportedly sounds a lot like the one it replaced. It's at moments like this that the movie's immaculate sound design becomes most obvious.įor U.S. Sometimes, though, the only thing that will buy a few more breaths is absolute stillness and silence. Soon enough, the policemen realize that something is wrong - and that backup won't be arriving to save them - so they improvise frantically, creating weapons out of everyday objects. He announces the intruders' location, urging the building's residents to exterminate them.
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The 15-story pile is full of shabby apartments but has some high-tech touches: Tama can watch the cops' progress on closed-circuit video and address the residents through a PA system.
The cops are supposed to bust an illicit drug lab and capture a brutal gangster, Tama (Ray Sahetapy), and his lieutenants - Andi (Doni Alamsyah), who's more of a strategist than a fighter, and the aptly named Mad Dog (Yayan Ruhian), who relishes combat for its own sake. Wahyu (Pierre Gruno), whose motives gradually come into question. Family will eventually resurface as a theme, somewhat justifying the Redemption subtitle added by the film's American distributor. Uwais plays Rama, a rookie cop who is introduced while praying to Allah and doing warm-up exercises, then kissing his pregnant wife farewell. Instead, the movie mixes ferocity and sentiment, a formula familiar from the Hong Kong movies that are among Evans' principal models. There's no comedy in The Raid, aside from battlefield flourishes so excessive they summon aghast guffaws. First, though, he'd have to reveal a sense of humor.
This is the second film they've done together, and the agile Uwais could someday be as beloved in the U.S. The scenario is simple but effective - and not as complicated as the film's back story: This unexpected breakthrough for Indonesian cinema was made by a Welshman, writer-director-editor Gareth Huw Evans, who sidestepped an apprenticeship in the British film industry by moving to Jakarta.Įvans discovered his star, Iko Uwais, while making a documentary on silat, Indonesia's answer to kung fu. But this electrifying movie isn't just a collection of gory moments.
Arguably the most dynamic Asian action film since the 1990s peaks of John Woo and Tsui Hark, The Raid: Redemption works as sheer gladiatorial ballet: An Indonesian SWAT team fights its way, hand to hand and floor to floor, through a towering inferno of a tenement.
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